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In the process of retranscribing and renotating the piece using LilyPond, I made some changes to fingering.
Although still a transcription and arrangement for the guitar and not a literal vihuela tablature transcription, this version guaddame be more readable and somewhat truer to the original vihuela tablature.
Changed beaming to match metrical changes. The intabulations are of high quality, but without any particular distinguishing features. This liys was last edited on 21 Augustat My transcription allows you to play the song in the guitar’s normal tuning.
As usual, fingerings are only suggestions; you may ignore them and choose your own. I’ve retained the previous version generated with Sibelius for those who want tablature or wish to compare Sibelius and LilyPond output. Changed some fingering in measures 30, 32, and 33 to match original tablature. The remaining music comprises villancicos, romances, and a Baxa de contrapunto. They are characterized by smooth, competent imitative writing in two and three voices. As you can tell from the revision history below, I’ve made other changes over time, eventually reverting two instances where I had added extra notes to form chords to make a note sound fuller.
The new fingering uses the thumb more and is more playable. Apart from melodic variations, there are also two sets on ostinato harmonies: There is some debate over whether the full composition consists of four or seven variations. Renotated using LilyPond, making some notational improvements along the way.
He is also notable for being the earliest composer for vihuela to adapt the contemporary Italian style of lute music.
Luis de Narváez – Wikipedia
The collection begins with a preface, in which the composer dedicates the work to his patron Francisco de los Cobos. From Wikipedia, the free encyclopedia.
Views Read Edit View history. Roman numerals in parentheses are not original and are provided for convenience only.
The new version matches more closely luus original vihuela tablature by playing the measure in first position. Reverted note additions to measures 30 and 33, leaving only notes occuring in original tablature. If you have trouble with the left-hand fingering for the scale run in measure 22, you’ll have to come up with an alternate fingering. Actively Maintained LilyPond Output. He was born in Granada and the earliest surviving references to him indicate that as early as he was a member of the household ed Francisco de los Cobos y Molinaa well-known and very successful patron of the arts who was the Secretary of State and commentator for the kingdom of Castile under Charles V.
Diferencias sobre ‘Guárdame las vacas’ (Narváez, Luys de)
It consists of a set of variations on a Spanish folk theme. The most notable change is in measure 28, which I used to play with a fourth-position barre. Retrieved from ” https: Other than the guitar-specific fingerings including left-hand legatothe music the notes themselves should now match exactly the original tablature.
Volumes four to six have mixed content. The second of the two songs is wrongly attributed to Gombert, it is a work of Jean Courtois.
Instead, the title page refers to siete diferencias de guarda me las vacas.
Guárdame las vacas by Luys de Narváez
Confusion arises because the immediately following work in the original manuscript, Otras tres diferencias hechas por otra parteis not listed on the title page or index. If you can play Message in a Bottleyou shouldn’t have a problem with the fingering. The original right-hand fingering was rather unnatural.
Guardame las vacas and Conde clarosboth in volume six. The third volume of the collection is dedicated exclusively to intabulations of works by other composers: